When the first televised Academy Awards ceremony took place on
March 19, 1953,
I, a bedazzled 15-year-old movie fan, sat in front of our black and
white TV set, riveted and no doubt pledging to never forget that moment
as long as I lived. Since then I have never (and I mean NEVER) missed a
telecast.
It was the 25th such award ceremony but the first one televised.
(“The Greatest Show on Earth” won over “High Noon” and “The Quiet Man”.
Go figure.) Bob Hope was the first TV host and of course we all thought
he was just funny enough and perfect for the part. But year after year
he was the host, and, as you might expect, even the great Bob Hope lost
his edge. But I watched. Every year. No matter how long into the
night they went on, I watched.
They began televising the awards in color in 1966 but we still had a
black and white TV, so I missed seeing it in all its glory until much
later. But since movies were still mostly in black and white it wasn’t
like we knew what those stars looked like in color, anyway.
Off the top of my head, here are my highlights over the years: (I’m
doing this without looking anything up; I just want to see what’s still
in my memory bank.)

Eva
Marie Saint blurting “Oh, shit” into the microphone when she won for
“On the Waterfront”. Big news in the day, that cussing. Especially
coming from a woman and a PG one at that. (
Pregnant, but nobody said the word out loud then. It was always PG. Or, in certain circles,
knocked up.)
John Huston drunk as a skunk accepting a special award for something.
The actress in the indian costume un-accepting the award the Academy gave Marlon Brando for some movie.
A streaker running across the stage, stealing David Niven’s thunder
for a second until Niven recovered and commented on the guy’s physique.
I remember it was Niven and not the streaker who got the standing
ovation.
Laurence Olivier giving a speech that made me and almost everyone in
the audience cry. It was splendid. Jon Voight’s reaction, caught by
the camera, is etched into my mind. (I don’t know what happened to that
Jon Voight.)
Sammy Davis Jr.’s last appearance on that stage when everybody, including him, knew he was dying.
Elizabeth Taylor talking about aids when nobody was talking about it.
The year “Gandhi” swept the awards, winning almost all the big
categories, and Ben Kingley’s speech. I don’t remember a word of his
speech, of course, but watching him up there accepting a most deserved
award gave me chills.
Billy Crystal’s opening bit where he was wheeled on stage wrapped in
restraints and hidden behind a Hannibal Lecter mask. Brilliant.
Madonna’s astonishing stage fright night, where she sang shakily and
off-key and danced as if she’d just had knee surgery. I almost felt
sorry for her.
Michael Moore talking against the Iraq war.
Rob Lowe “singing” with Snow White.
The little Italian actor who leaped over the seats to get to his
Oscar. (See? I remember that but can’t remember his name. So much for
Oscar antics.)
I know there are many more if I really thought about it, but that
brings me to last night, when Seth McFarlane hosted the 85th Academy
Awards ceremony. I watched the entire thing, from the red carpet to the
sign-off, and there are a few moments that stand out for me. Daniel
Day-Lewis’s irreverent and funny acceptance speech, Michelle Obama’s
opening of the envelope and announcement of best picture (Argo), Ben
Affleck’s not-so-subtle smack at the Academy for snubbing him in the
Best Director category.
The opening bit was–oh, my GOD–so, so, long. And bad. Really bad.
Even Captain Kirk couldn’t save it. It made James Franco’s performance
as host in 2011 look just okay, which is, I hate to say, some feat.
The “We Saw Your Boobs” song might have been funny in a shortened
version, but, as with everything in the McFarlane script, it went on
into the realm of the interminable.
The musical performances are what saved the night for me. Adele,
Shirley Bassey, Jennifer Hudson, Barbra Streisand–sublime, those ladies.
(Notice I’ve left out the last song–the duet between McFarlane and Kristin Chenowith. Yes, well. . .)
But speaking of Franco. (We were, weren’t we?) this is what I wrote
about Franco’s stab at hosting on the morning after that event two years
ago:
If I could have timed my naps to James Franco’s
appearances, I would have been almost as happy as I was when “The King’s
Speech” won best picture. I like the guy and I hate to add to the
pile-ups on whatever the heck he thought he was doing up there, but man,
he was dreadful. (Anne Hathaway clearly saw she was in the
middle of a train wreck and was trying not to panic, but there were
moments when I thought she was going to tear off one of her many dresses
and run screaming out of the theater.)
But for Franco, it wasn’t over even when it was over. He got into a Tweet war with a 20-year-old fellow Yalie (He’s working on a Doctorate in English at Yale), and she posted this about him in her blog: “Combined with his Oscars hosting performance and in accordance with the opinion of commenter’s [sic]
on my last blog, I’m becoming convinced that James Franco’s whole life
is a form of postmodern performance art. In that context, his Twitter
fits right in.“ Oh, ouch. That’s harsh.
Okay, maybe the hardest job in the world is hosting the Oscars. It
shouldn’t be, but considering the fails over the years with talent that
should have been talented, I will cut those hosts some slack. Because I
love the Oscars, even when they’re bad. There is nothing else like
them at all.
I do love the Golden Globes and they’re my second best, as long as
Ricky Gervais
is nowhere in sight. (I know, I know–you like him; I just find his
attempts at out-ickying himself feeble and far from funny.) I love that
everybody can
drink at the tables, so that by the end of the night
anything can happen.
But this is about the Oscars. Any thoughts about the Oscars? I’m
all ears. As you can tell, I can’t get enough of that wonderful stuff.
I’ve been at this for 60 years. I can’t quit now.